5932 безплатни аудиофайлове за "D 960 – Sonata In B Flat Major"

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Diatonic scale on C, transposing clef.

French: Le Roi Dagoberttitle QS:P1476,fr:"Le Roi Dagobert" label QS:Lfr,"Le Roi Dagobert" LilyPond source

Istrian mode on C

Diatonic scale on C, guitar tablature clef.

Lydian dominant scale on C.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

A modified stereo recording of the Indonesian dialect of the Malay language, performed by the KOM.

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

Klaus song (Klausenmelodie). Klausjagen, Küssnacht, Switzerland.

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

Song from The Remains of Tom Lehrer

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

I'm Forever Blowing Bubbles, performed by Ben Selvin and His Novelty Orchestra (recorded 31 July 1919)

A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.

The Bee's Knees performed by the Virginians, Victor 19000A

Italiano: Trascrizione di Mario Foresi della canzone popolare Rondinella pellegrina, 1887

Marie Rappold (1873–1957) performing "O patria mia" from Verdi's Aida, with orchestra

A song from The Remains of Tom Lehrer

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Stereo recording of the Internationale in the Russian language.

Australian Christmas Carol 1915 by Arthur Chanter (1866-1950) and Tom Collins (1843-1912)

An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.

Português: Samba choro. Interpretes : Carmen Miranda e Barbosa Jr. Disco Odeon 12042 B

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

Henry Fillmore’s The Circus Bee, performed by the United States Marine Corps Band, Timothy W. Foley, Director

*32 steps in 72 equal temperament on C. Equal-tempered: 232/72=16/36=8/18=4/9:1 = 533.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 534.375 cents rather than 533.344. New version a P4 on 85,74 for 533.3251953125 cents rather than 533.344.

*7 steps in 18-et on C = ??. Equal-tempered: 27/18:1 = 466.67 cents. MIDI pitch bend: 42,53

Wolfgang Amadeus Mozart - sonata no. 13 in b flat major, k.333 - iii. allegretto grazioso

Piano Sonata nr.15 in D major op.28 "Pastoral" - II. Andante by Karine Gilanyan

Sonata no. 15 in d major, op. 28 'pastorale' - iii. scherzo. allegro vivace

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Root position triads from C major scale.